The idea for the Can-Am shoot with Martin Macík came at the last minute, giving us just four days to prepare the entire project. The morning shoot itself required maximum precision—to avoid disrupting regular slope operations, we had a strict flight window of exactly 40 minutes to capture everything we needed.
ON-SET COMMUNICATION AND TEAMWORK
On location, our 12-person media crew operated as a tightly knit unit managing a setup of 23 cameras. All coordination was run constantly over radios. Using FPV drones allowed us to fluidly follow the entire track and cover sections that static ground cameras simply couldn’t reach. Since aviation permits, valid licenses, and full commercial insurance are our everyday standard, we didn’t waste any time on logistics on set and focused entirely on capturing the action safely.
“WE HAD ONE FINAL WINTER DAY WITH A 40-MINUTE WINDOW ON THE SLOPE FOR OUR CAN-AM SHOOT. THE SPEED, EXECUTION, AND RESULTS WERE OUTSTANDING.”
HANA BARNETOVÁ (Can-Am Czech Republic)
Despite having only minutes for high-speed drone shots, we successfully delivered a complete media package. Our team managed the entire media production from initial concept through to rapid post-production. The final aerial footage, seamlessly integrated with ground shots, generated strong visibility across social media, online platforms, and television, delivering clear value to all project partners.
